The Raven by Edgar Allan Poe, read by Neil Gaiman.

Neil Gaiman is such a good narrator, one of the very few writers who can really narrate well and his reading of parts of the 10th Anniversary edition of American Gods or narrating Neverwhere is so well done. This is also extremely well done and the ambiance is great.

I like his work so much that I’ve pre-ordered his next novel, the audiobook version of course, Norse Mythology. Some time next year the TV adaptation of American Gods is out as well, something I’m really looking forward too especially with Ian McShane as Mr. Wednesday and Orlando Jones as Anansi.


Rogues audiobook

I just finished the Rogues audiobook and I enjoyed most of the stories very much, I thought the narration was well done for most of them and the stories themselves were compelling as well as interesting. After finishing it, I added a couple of new series to my wishlist, Gentleman Bastard Sequence by Scott Lynch and KingKiller Chronicles by Patrick Rothfuss, based on their short stories in Rogues “A Year and a Day in Old Theradane” by Scott Lynch narrated by Gwendoline Christie and “The Lightning Tree” by Patrick Rothfuss narrated by Rupert Degas. Those 2 short stories were very good and narrated well.

Other stories I enjoyed were:

  • “Tough Times All Over” by Joe Abercrombie narrated by Gwendoline Christie.
  • “What do you do?” by Gillian Flynn narrated by Julia Whelan
  • “Bent Twig” by Joe R. Lansdale narrated by Phil Gigante
  • “Providence” by David W. Ball narrated by Morgan Sheppard
  • “Heavy Metal” by Cherie Priest narrated by Scott Brick
  • “How the Marquis Got His Coat Back” by Neil Gaiman
  • “The Rogue Prince” by George R.R Martin narrated by Iain Glen

I used an audible credit, I got the 2 per month plan, on it specifically for the stories by Joe Abercrombie, Neil Gaiman, and George R.R Martin. It was well worth it. The story I enjoyed most was Abercrombie’s “Tough Times All Over” because it had so many references to characters I liked as well as a cool story set in Sipani, all from the very good First Law series.

Up next on the audiobook queue is Live by Night by Dennis Lehane. Been looking forward to this one because I enjoyed the tale of Joe Coughlin so much in World Gone By.

“It’s not easy to believe.” “I,” she told him, “can believe anything. You have no idea what I can believe.”

“It’s not easy to believe.”
“I,” she told him, “can believe anything. You have no idea what I can believe.”
“I can believe things that are true and I can believe things that aren’t true and I can believe things where nobody knows if they’re true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen — I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone’s ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we’ll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind’s destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it’s aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there’s a cat in a box somewhere who’s alive and dead at the same time (although if they don’t ever open the box to feed it it’ll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn’t even know that I’m alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck. I believe that anyone who says that sex is overrated just hasn’t done it properly. I believe that anyone who claims to know what’s going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman’s right to choose, a baby’s right to live, that while all human life is sacred there’s nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, that life is a cruel joke, and that life is what happens when you’re alive and that you might as well lie back and enjoy it.” She stopped, out of breath.
Shadow almost took his hands off the wheel to applaud. Instead he said, “Okay. So if I tell you what I’ve learned you won’t think that I’m a nut.”
“Maybe,” she said. “Try me.”

-Neil Gaiman, American Gods.

There was a girl and her uncle sold her.

There was a girl, and her uncle sold her. Put like that it seems so simple.

No man, proclaimed Donne, is an Island, and he was wrong. If we were not islands, we would be lost, drowned in each other’s tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature, and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived, and then, by some means or another, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes—forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There’s not a chance you’d mistake one for another, after a minute’s close inspection), but still unique.

Without individuals we see only numbers: a thousand dead, a hundred thousand dead, “casualties may rise to a million.” With individual stories, the statistics become people—but even that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child’s swollen, swollen belly, and the flies that crawl at the corners of his eyes, his skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted, distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies’ own myriad squirming children?

We draw our lines around these moments of pain, and remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain.

Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives.

A life that is, like any other, unlike any other.

And the simple truth is this: There was a girl and her uncle sold her.

-Neil Gaiman, American Gods.

The secret is this: people gamble to lose money. They come to the casinos for the moment in which they feel alive, to ride the spinning wheel and turn with the cards and lose themselves, with the coins, in the slots.

There is a secret that the casinos possess, a secret they hold and guard and prize, the holiest of their mysteries. For most people do not gamble to win money, after all, although that is what is advertised, sold, claimed, and dreamed. But that is merely the easy lie that gets them through the enormous, ever-open, welcoming doors.
The secret is this: people gamble to lose money. They come to the casinos for the moment in which they feel alive, to ride the spinning wheel and turn with the cards and lose themselves, with the coins, in the slots. They may brag about the nights they won, the money they took from the casino, but they treasure, secretly treasure, the times they lost. It’s a sacrifice, of sorts

-Neil Gaiman, American Gods.

“Shadow,” she said. “A good name. When the shadows are long, that is my time. And you are the long shadow.

“Who is the big man?” she asked Wednesday. “Another one of your murderers?”

“You do me a deep disservice, good lady. This gentleman is called Shadow. He is working for me, yes, but on your behalf. Shadow, may I introduce you to the lovely Miss Zorya Vechernyaya.”

“Good to meet you,” said Shadow.

Birdlike, the old woman peered up at him. “Shadow,” she said. “A good name. When the shadows are long, that is my time. And you are the long shadow.” She looked him up and down, then she smiled. “You may kiss my hand,” she said, and extended a cold hand to him.

Shadow bent down and kissed her thin hand. She had a large amber ring on her middle finger.

“Good boy,” she said. “I am going to buy groceries. You see, I am the only one of us who brings in any money. The other two cannot make money fortune-telling. This is because they only tell the truth, and the truth is not what people want to hear. It is a bad thing, and it troubles people, so they do not come back. But I can lie to them, tell them what they want to hear. So I bring home the bread. Do you think you will be here for supper?”

“I would hope so,” said Wednesday.

“Then you had better give me some money to buy more food,” she said. “I am proud, but I am not stupid. The others are prouder than I am, and he is the proudest of all. So give me money and do not tell them that you give me money.”

-Neil Gaiman, American Gods.

Audible for this month.

I picked up Neil Gaiman’s American Gods and Andrzej Sapkowski’s, book 2 in the Witcher series, The Time of Contempt. I went with the tenth anniversary cast edition of American Gods, mostly because I liked the cast version of Dune, Dune Messiah and Children of Dune. I felt it added a lot to the story telling. I also chose The Time of Contempt over Scalzi’s The End of All things simply because the former is out now and the latter isn’t yet. I’ll pick up The End of All things next month anyways along with either Trigger Warning or Rogues.

I am only about 1 hour into American Gods and I am already liking it a lot. I’ll be listening to it all weekend.